Blair Witch (2016)

Director: Adam Wingard

Running Time: 88 mins. 

Cast: James Allen McCune, Callie Hernadez, some woods, a torch, a bull horn. 

Those of us who connected with The Blair Witch Project in 1999 did so on a psychological level resulting in the heebie-jeebies of a high level, especially in the witches cottage at the climax. 


Blair Witch 2: Book Of Shadows 2000 was frankly abysmal. 


Luckily Blair Witch 2016 follows Heather’s brother as he follows his sisters trail into Burkittsville’s woods. The way is shown by an online freak who claims to have been the one to discover the original tapes. So far so good. 

It’s all good on paper but from here on in I was let down. 

Apparently the director used a bull horn to get the correct jumpy responses from the cast. This is a good illustration of the failure of the jump scares. A loud noise after silence makes you jump but it isn’t ‘scary’. So you’ll get no points from me for that.

Especially when the noise is just loud running water, fire, supposed digital video glitching or any other mundane goings on. 


To say this group of people are in a wood, they seem to be able to disappear quickly and reappear an inch from camera without a single twig snap. 


The climax offers a well designed creepy cottage return though and the witch herself is fleetingly menacing and yet ultimately not. 


There’s not enough here for me to return to this film but I enjoyed the ride all the same out of a live fit the original. It’s no Book Of Shadows but it’s not as good as The Conjouring 2. 

C Whitehouse 2016

 

Bridget Jones Baby (2016)

Director: Sharon Maguire

Running Time: 2 hours 

Cast: Renee Zellwegger, Colin Forth, Patrick Dempsey, Jim Broadbent, Emma Thompson, Gemma Jones. 


Bridget Jones returns to the big screen with a new set of problems. Life is selling her short as usual but in the space of a week she beds two men and finds herself pregnant. One of the males is an American billionaire called Jack played by Patrick Dempsey (who is 24th down the cast list on imdb) and the other is,well, Colin Firth. But who is the father of the unborn child? There you have the crux of the story but happily hanging on the bones of an idea is a very humorous and sweary story of a clumsy woman trying to juggle her work life and her new found pregnancy while dealing with various stages of pregnancy. There’s an awkwardness as Mr Darcy returns on the scene just by happenstance and rivalry between the two potential fathers raising emotions for all. While mostly funny, I also felt touched by the love for the baby angle and especially the two fathers feelings for wanting to be there for Bridget and baby. Naturally the males butt horns as the jockey for position and this echoes the first outing as well as This Means War which had two men battling over Reece Witherspoon. I was afraid that this may be fluffy girly nonsense but it isn’t that at all. I enjoyed Bridget’s company and her accent was surprisingly good too. It felt good to see the female take on the role of the hapless lead rather than the male and although it runs the same confident path of a Richard Curtis movie, it never went saccharine. In short, I can’t knock it. I’d happily sit through another like that but not like the second Bridget Jones. Supporting cast such as Emma Thompson, Jim Broadbent, Gemma Jones and Shirley Henderson also make this an easy watch whether you’ve been dying to watch it or are simply being pulled along. 


C Whitehouse . 2016

Kubo and the two strings (2016) 

Director: Travis Knight

Running time: 1 hour 45 mins

Cast: Art Parkinson, Matthew McConaughey, Ralph Fiennes, Rooney Mara, Charlize Theron. 


Laika studios have done it again. After the wobble (in my opinion) that was The Boxtrolls, the magic is captured again as this far eastern flavoured tale of a split apart family, delights both the eye and heart. 

The boy Kubo learns he must acquire a magical armour if he is to survive his aunts and grandfather as they seek his other eye, the first which they took when he was a baby. That brings me to the darkness at its heart and it’s been the same since Coraline where eyes were swapped for buttons. 

It’s as though these films are made for adults who are kids at heart firstly and then made acceptable for young ones to view if they can handle it. 

The use of origami is masterful and no doubt painstakingly recreated. The Laika humour is peppered throughout and is brilliantly delivered by Matthew McConaughey, Ralph Fiennes and Charlize Theron and not forgetting Art Parkinson as Kubo. 

The evil aunt sisters are voiced by Rooney Mara and are like something from Clive Barkers horror novels. 

In short I loved it. But I still love Paranorman and Coraline more. 

The themes of death and revenge are not played for a kiddie crowd but delivered in black and white touching any audience member who has dealt with a dying family member and bringing tears of understanding. 

Just a beautifully constructed piece of storytelling and yet one that the whole family will take something from. 


C Whitehouse 2016

The Danish Girl (2016) Showing Sunday 18th September 

Director: Tom Hooper 

Running time: 2 hours 

Cast: Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw.

Tom Hooper once again makes a film which I assume I won’t like and yet I’m proven wrong. First it was The Kings Speech, now it’s Thee Danish Girl. Eddie Redmayne was fabulous in Hawking and yet terrible in Jupiter Ascending. Thankfully he is very good as Einer Wegener who is asked to help out for his wife Gerda, played by Alicia Vikander, as a model who can’t make the final sitting, in order for Gerda to complete her life painting. The feel of the stockings and dress hems and lace awakens something buried deep inside him. This gives birth to a female version of his character who, with Gerda’s help, brings Lilly to life. Soon enough though, Lilly is around more than Einer and when Gerda tries to ask for her husband back, it seems there’s little of him to show. Based on one of the earliest accounts of a transgender operation, this is an emotional roller coaster and one which will have you debating with yourself and others what the right thing to do is. I felt Einer’s plight and struggle early on but began to feel strongly for Gerda too until you just want both to have their way. 

To be honest, Redmayne often looks like man in dress and lipstick, while other times he emotes femininity convincingly while not just simply mincing about the place. While Einer and Lilly are strongly portrayed, it’s Vikander’s 

Journey that I was pulled along with. Two strong actors who at times felt as though they were in a play to me rather than a movie. 

But there’s a weight to the choices made here as you invest in the couple. Also the movie touches on the doctors who analyse Einer and come up with some frightening conclusions. 

An important portrayal of a huge step in changes in society which is nowadays much much less of an issue. While it’s important to be yourself and you have that right, what cost to those around you and does your desire outweigh theirs? 


C Whitehouse 2016